![]() What difference does the gender of the actor make, when the whole point is to erase gender from the equation?Īfter a welcome from the entire cast to a "Science Fiction Double Feature," a narrator steps on stage, seaming to have left his workaday world behind and slipping into something more comfortable. The part is written as a male in black bustier, fishnet stockings, and painted fingernails, projecting an androgynous pansexuality that both threatens and titillates without regard to physical body parts. Furter, the madman at the core of the story usually played by a man is here played by a woman, the charismatic Gracie Anderson. ![]() One change in Park Square's production is that Frank N. In 2000, a Broadway revival ran for sixteen months, a sweet comeback from its first dismal New York outing. Soon, theaters all around the country were showing the film to late night crowds, and the rest is pop culture history. The film, called The Rocky Horror Picture Show, arrived in 1975 and was largely dismissed by critics and audiences alike, but it took hold when the Waverly Theatre in New York began showing it at midnight screenings. It lasted there only six weeks.įortunately, Adler had already signed a movie deal during the Los Angles run. Opening in 1975 on Broadway, Adler expected its counter-cultural wavelength to coast on the heels of Hair and Jesus Christ Superstar but the Great White Way wasn't ready for a transvestite mad scientist. California hit-maker Lou Adler swiftly imported The Rocky Horror Show to Los Angeles in 1974 where it played to full houses for nine months. It was a smash in London, moving to successively larger theaters over the course of a seven-year run. How could an out-of-work English actor named Richard O'Brien, who wrote book, music and lyrics, have guessed in 1973 when the show opened at a 63-seat theater, what a sensation it would become? Combining several of his own interestsscience fiction, ghouls, glam rock, and sexual identitythe results are something like a panoramic scan of posters adorning the wall of a post-adolescent fever-dreamer. Director-choreographer Ilana Ransom Toeplitz keeps the show's tongue well in cheek, when it is not lasciviously flicking about. ![]() ![]() The show is campy fun, all the more so to its many devout fans who know every word, and made The Rocky Horror Show a participatory cult event. The Rocky Horror Show is back, its crazy quilt of debauchery, gender fluidity, innocence undone, and cartoon sci fi mixed up and ready to warm audiences at Park Square Theatre, where the harebrained musical is heating things up this fall. Gracie Anderson, Rush Benson, Celena Vera Morgan Ricky Morisseau, Natalie Shaw, Ben Lohrberg, Review by Arthur Dorman | Season ScheduleĪlso see Arty's reviews of Night of the Living Dead! The Musical!, Elektra, Snow White, Pipeline, The Hollow, Nate the Great, the Musical, and Mean Girls ![]()
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